1:Actors
Li Gong 巩俐... Empress Phoenix
Jay Chou周杰伦 ... Prince Jai
Ye Liu 刘烨... Crown Prince Wan
Dahong Ni倪大宏 ... Imperial Physician Jiang
Junjie Qin 秦俊杰... Prince Yu
Man Li 李曼... Jiang Chan
Jin Chen 陈谨... Mrs. Jiang
Yun-Fat Chow-周润发 ... Emperor Ping
2. Movie Enjoyment
3. Lines
杰王子：儿臣拜见父王
杰王子：父王御驾亲临，儿臣不胜惶恐
杰王子：父王神武
大王：当年送你到边塞，看来是对的，朕屈驾前来，就是让你记住你以前犯的过错
天地万物，朕赐给你，才是你的。朕不给，你不能抢
杰王子：父王教诲，儿臣牢记
大王：随朕回宫吧
4.Director
Zhang Yimou
A leading filmmaker of China's "Fifth Generation" who began as a cinematographer and has shot films by directors Chen Kaige and Wu Tianming, Zhang Yimou made an auspicious directorial debut with "Red Sorghum" (1987), which won the Golden Bear at the 1988 Berlin Festival. Set in the remote Shandong province in the 1930s and rich with mythical overtones, "Red Sorghum" uses minimal dialogue, haunting music and stunning visuals to tell the story of a meek young bride who develops into the forceful head of her husband's winery after his death.
His second feature, "Ju Dou" (1990) about a young wife, sold to a brutal old man, who has an affair with his son in order to provide her husband with an heir, became embroiled in controversy when it was submitted as Best Foreign Film to the Motion Picture Academy's nominating committee by the Chinese government and then was officially withdrawn because the film had not been theatrically released in China. The Motion Picture Academy then hastily changed its eligibility rules to allow "Ju Dou" to compete for an Oscar.
Zhang continued his streak of critically acclaimed films with "Raise the Red Lantern" (1991), a strikingly filmed drama about the trouble a man's latest addition to his bevy of wives causes. He followed up with a lighter but still powerful film, "The Story of Qiu Ju" (1992), about a tenacious farmer determined to right a wrong done to her husband. As with all Zhang's films, it starred Gong Li, an intelligent, naturalistic actress who aptly embodied the tension between the graceful surface of cultural tradition and the turbulence of youth and injustice towards women which all his films explore. The importance of gender roles in maintaining hierarchies in Chinese society again fueled Zhang's story of a prostitute's travails, "Shanghai Triad" (1995), while the family of "To Live" (1994) endures the turbulence of the 1940s through the 70s, a key transition period in contemporary Chinese history.
Zhang continued to deliver accomplished films, including "Keep Cool" (1997), "Not One Less" (1999) and "The Road Home" (1999; U.S. 2001). He struggled, however, with a young Chinese audience that grew to dislike the director's fixation on the nation's part. He also found himself compromising his art to appease the government, such as changing the original laid-off workers of "Happy Times" (2001; U.S. 2002), struggling for dignity while submitting themselves to ever more degrading types of work, into retirees, as ordered by the Chinese Film Bureau.
Nevertheless. the director scored one of his greatest cinematic and commercial triumphs, "Ying xiong" (2002), which was released in the United States in 2004 under the title "Hero." Teaming with Australian cinematographer Chris Doyle and Asian martial arts stars Jet Li, Zhang Ziyi, Tony Leung, Maggie Cheung, Daoming Chen and Donnie Yen, Zhang crafted a big-budgeted, multilingual tale set at the violent dawn of the Qin dynasty, circa 220 B.C., where the soon-to-be first Emperor is on the brink of conquering the war-torn land and three of his most passionate opponents (Cheung, Leung and Ziyi) are trying to assassinate him, opposed by the indomitable Li as Nameless, a lowly policeman who faces off against powerful forces. The film become a phenomenal hit in Asia and Europe (it took the title of the box-office record-holder among Chinese movies), and was nominated for an Oscar in 2003 in the foreign language category before its North American release in 2004.
In 2004 the director also delivered the highly anticipated "House of the Flying Daggers," a martial-arts love story set in the 9th century Tang Dynasty involving a conflict between government forces and a rebel group featuring Hong Kong heartthrob Andy Lau, Taiwanese Japanese star Takeshi Kaneshiro and Zhang Ziyi. At a point where the Chinese film industry seemed at odds with itself, Zhang hoped to create a film that would be commercially successful both at home and abroad--even as some of his younger colleagues accused him of selling out to pure entertainment over art.
Zhang has often tackled major creative undertakings outside of the film world: In 1999 he mounted an epic production of Puccini's Turandot in Beijing's Forbidden City. in 2001 he directed a ballet adapted from "Raise the Red Lantern. The Chinese central government has also conscripted him to craft national propaganda: he directed videos for Beijing's Olympic bid and Shanghai's successful application to host the 2010 World Expo.
Also Credited As: Cheung Aau MauBorn: on 11/14/1950 in Shaanxi Province, ChinaJob Titles: Director, Director of photography, SongwriterSignificant Others
Companion: Gong Li. starred in Zhang's "Red Sorghum", "Ju Dou", "Raise the Red Lantern" and "The Story of Qiu Ju"; no longer together
Wife: . according to Interview (March 1991), refuses to give Zhang a divorce
Education
Beijing Film Academy, Beijing, China, 1978-88
Milestones
1966 Due to the Cultural Revolution, studies suspended and sent to work in the countryside, first on farms in Shanxi province and later as a laborer in a spinning mill
1982 Assigned to work in the Guangxi Film Studio
1982 Debut as feature cinematographer, "One and Eight"
1985 Transferred to the pioneering Xi'an Film Studio
1987 Feature film directing debut, "Red Sorghum"
1991 Directed the internationally acclaimed "Raise the Red Latern"
1994 Won award at Cannes for "To Live"
1997 Debut as opera director with production of "Turandot" at the Teatro Comunale in Florence, Italy; reportedly the first Chinese director of an Italian opera production
1997 Helmed the comedy "Keep Cool"
1999 Earned critical praise for "Not One Less", a look at contemporary China as seen through the story of a young schoolteacher and an unruly student; screened at Venice; set to be released theatrically in the USA in 2000
2001 "The Road Home", a drama about a woman recalling her courtship with her now deceased husband, screened at Sundance
2002 Directed "Hero",starring Jet Li and Maggie Cheung; received a nomination for Best Foreign Language Film
2004 Directed Ziyi Zhang in "House of Flying Daggers"
2006 Directed Gong Li in the historical drama, "Curse of the Golden Flower"; also scripted
生于1951年11月14日，1982年毕业于北京电影学院摄影系
1968年初中毕业后在陕西乾县农村插队劳动，后在陕西咸阳国棉八厂当工人。1978年入北京电影学院摄影系学习。1982年毕业后任广西电影制片厂摄影师。
张艺谋作品及获奖： 1995年加拿大蒙特利尔国际电影节：全世界十大杰出导演之一
1995年美国克罗拉多国际电影节：杰出成就奖
1995年美国夏威夷国际电影节：终生成就奖
1996年美国《娱乐周刊》选为当代世界二十位大导演之一
拍摄故事片:1983：《一个和八个》(与萧风合作)
1984：《黄土地》
第5届中国电影金鸡奖最佳摄影奖
第7届法国南特三大洲国际电影节最佳摄影奖
第5届夏威夷国际电影节优秀制片技术奖
1986：《大阅兵》
演出影片：
1987：《老井》
第2届东京国际电影节最佳男演员奖
第8届中国电影金鸡奖最佳男主角奖
第11届电影百花奖最佳男演员奖
1989：《古今大战秦俑情》
导演故事片：
1987：《红高粱》
第38届西柏林电影节最佳故事片金熊奖
第35届悉尼国际电影节电影评论奖
第16届布鲁塞尔国际电影节评委会最佳影片奖
第1届摩洛哥电影电视节导演大阿特拉斯金奖
第8届中国电影金鸡奖最佳故事片奖
第11届电影百花奖最佳故事片奖
1988：《代号"美洲豹"》(与杨凤良合作)
1990：《菊豆》
第43届法国戛纳电影节路易斯.布努埃尔特别奖
第35届西班牙巴利亚多里德国际电影节金穗奖(大奖)
美国芝加哥国际电影节金雨果奖(大奖)
1991：《大红灯笼高高挂》
第48届意大利威尼斯国际电影节银狮奖
92年意大利全国奥斯卡奖(大卫奖)
92年意大利米兰电影协会外语电影第一名大奖
1992：《秋菊打官司》
意大利第49届威尼斯国际电影节金狮奖
中国广电部92年优秀影片奖、荣誉奖
1994：《活着》
95年英国电影学会最佳影片大奖(非英语类)
第47届法国戛纳电影节评委会大奖
1995：《摇啊摇，摇到外婆桥》
第48届法国戛纳电影节技术大奖
1996：《有话好好说》
1998：《图兰多》(歌剧、中国紫禁城太庙)
1998：《一个都不能少》
第56届意大利威尼斯国际电影节金狮奖
第19届中国电影金鸡奖最佳导演奖
中国电影华表奖优秀故事片奖和优秀导演奖
98年大学生电影节最佳故事片奖
1999：《我的父亲母亲》
第20届金鸡奖最佳故事片奖和最佳导演奖
百花奖最佳故事片奖和最佳导演奖
第51届柏林电影节最佳故事片银熊奖
2000：《幸福时光》
第47届西班牙巴利亚多里德国际电影节银穗奖
2002：《英雄》
05年美国影评学会最佳外语片奖
04年多伦多影评学会最佳外语片奖
2003：《十面埋伏》
04年波士顿影评学会最佳导演奖
第24届金鸡奖最佳故事片奖和最佳导演奖
2005：《千里走单骑》
2006: 《满城尽带黄金甲》
