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孽海记 The Sea of Desire

孽海记

《孽海记》本源不可考，其名最早见于《缀白裘》一书，应是清宫大戏《劝善金科》中的一段，曲词与唱腔和曲牌格律不尽相同，又有滚唱，可能是弦索调或地方小调昆曲化而成的。目前经常搬演的有「思凡」、「下山」两出，浅显通俗，对封建的传统大胆的加以批判。

思凡 －『奴把袈裟扯破』

「思凡」写小尼姑色空，年幼时多病，被父母送入仙桃庵寄活。色空不耐拜佛念经的寂寞生涯，私自逃出尼庵。

全出一人到底，旋律优美流畅，身段繁重，姿态多变。前半出以唱腔细腻及思想转变的过程为主，后半出则着重在身段功夫，涵盖了闺门旦及贴旦的领域，一般以贴旦应工，必须要有闺门旦的含蓄。
 
下山 －『有心人对有心人』

「下山」描述碧桃（必逃）寺的小和尚本无，从小被爱念经供佛的父母送入空门。但是他响往世俗的居家生活，一日，趁庙中无人，私逃下山。在路上巧遇适由仙桃（先逃）庵中逃出的小尼姑色空，两人互生爱慕之心，决定结为夫妻，同偕到老。

全出对白幽默、表演夸张、身段生动，是一出非常受观众喜好的小丑与贴旦对手戏。小丑的绕念珠、颠步进退、背背驮、摔靴子等都是高难度的功夫，其中有些动作像蛤蟆，属于小丑五毒戏之一。
 
 
The Sea of Desire

"The Devil in A Flowering Nun" and "Fleeing down the Mountain" are two special Kunqu Plays. Written over three hundred years ago, these two plays pose a bold challenge to China's traditional, feudalistic moral codes and to its conventional, rigorous Buddhist teaching.

Si Fan (The Devil in A Flowering Nun)

Sent in childhood to a temple by her parents, Sekong has grown into a Buddhist nun. She has lately been brooding with increasing intensity over what she has come to view as the arid life of a Buddhist nun. Being left alone one day in her present dark mood, she resolves to leave the temple permanently to resume a secular life which she intends to live fully as a woman. So decided, she promptly discards her ecclesiastic robes and flees away down the mountain to fetch herself a sweetheart.
 
Xia Shan (Fleeing Down the Mountain)
 
Benwu complains about his parents whose superstition caused them to send him to a Buddhist temple to become a monk. One day he seizes the opportunity of being left alone in the temple and flees down the mountain. On his way down he runs into Sekong, a Buddhist nun, who also has just fled from a nunnery. As they talk they find that they share a desire to resume a secular life. In the end they fall in love and marry each other.