
韩寒,1982年9月23日生。作家。赛车手。已出版著作:《三重门》、《零下一度》、《像少年啦飞驰》、《通稿2003》、
《毒》、《韩寒五年文集》、《长安乱》、《就这么漂来漂去》、《一座城池》。
Han Han, was particularly dissatisfied with the teachers in his school. He said :
"The teachers should undergo a special experience; I recommend that every teacher do some chatting on the web."
These post 80's writers are criticized by the public for only chasing commercial interests, lacking any deep thoughts. Faced with such criticism, Bo bangni has her own opinion:
"Many people feel that the post 80s writers pay too much attention to commercial interests, but I don't think so. For me, I started writing just to entertain myself. At first, only according to reader's requests, I collected the most popular articles together and, based on the poll among readers, published a selection of them. And as young writers, we don't need many deep thoughts and profound experiences, we are special for our youth and enthusiasm."
Market promotions have made huge hits of these works by post 80's writers. Besides the Triple Door by Han Han, there are some other successful works like: I Love the Sunshine, by Xu Jia, The Sunflower Lost in 1890 by Zhang Yueran and The Dreamland City by Guo Jingming. Hundreds of thousands of copies have been published.
Heavy Metal, a collection of five 80's-writers prefaced by the famous writer Ma Yuan, has made its way on to the latest best-seller list. Ma Yuan remarks, "Within one week of reading their works, these five young writers have, in my eyes, grown into fully-fledged adults."
The Post-80's Literature genre is clearly influenced by current commercial and fashion trends, some of which may mislead vulnerable young writers, and submerge creative literary minds. While some will necessarily fall by the wayside, the 80's-writers are growing up. No longer mere "catalyzed fruits," they and their works manifest all the indications that satisfactory maturation may be reached - should they persevere with their literary pursuits, of course.(THE END)

